Antonio Mercero Santos (Madrid, 1969) has a degree in journalism. Between 1990 and 1992 he worked for the LID and FAX PRESS news agencies headed by Spanish journalist and writer Manu Leguineche and he was a contributor to La Gaceta de los Negocios in New York. 

In 1994 he started working as a script writer for the hit Spanish TV series Farmacia de Guardia. Since then, he has written scripts for other successful Spanish series such as Hospital CentralLobosMIR and Siete días al desnudo
He also wrote the miniseries El pacto, directed by Fernando Colomo, and El Rey, directed by Norberto López Amado. 

He collaborated in the screenplay for the film La vergüenza, directed by David Planell, and co-scripted two films by Gracia Querejeta, Quince años y un día and Felices 140

He has published two novels, La cuarta muerte (Espasa, 2012) and La vida desatenta (DeBolsillo, 2014). 

El final del hombre is the first in a detective series featuring lead character Carlos Luna, a police officer who becomes Sofía Luna after a sex-change operation. 

The book is due to be published by Alfaguara in September 2017.


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El final del hombre (Alfaguara, September 2017)

El final del hombre is a classic-style detective novel combining a crime investigation with reflection on the changing pattern of relations between men and women in today’s society. For years, women have been competing in traditional male domains. The role allocation of old in the matter of jobs, money, sex, children or relationships is rapidly changing, but there are still many asymmetries and injustices. It is as if the legions of women who are powerfully making their mark are watched by a tribe of men in a perplexed dreamlike daze, men who enjoy senior positions in business, politics, law and elsewhere and who still do not really accept that the era of gender equality has arrived.
El final del hombre is thought-provoking in this respect. The title itself certifies the demise of the male empire. But instead of writing a tedious essay, the author broaches the subject in a crime novel peppered with surprising twists. 

The main character is a police officer in the middle of a sex change. The novel opens on Carlos Luna’s first day as Sofia Luna. Besides embodying the theme of the novel to perfection, the choice of protagonist is original too. This may in fact be the first detective novel where the lead character is a transsexual police officer. The character is inspired by the true story of an English police officer who had sex-reassignment surgery and who was rejected by those around her (at work, at home and in society). In the real-life case, the police officer dressed in men’s clothing when she saw her kids, but switched back to female dress for the other parts of her life. Sofía Luna, the character in this novel, does not go so far. But she does have problems winning the acceptance of her eighteen-year-old son who finds it hard to digest the fact that he now has two mothers.
In short, this is a novel on a very current issue that features an atypical protagonist who perhaps goes slightly against the norm. 

As a counterpoise, the author has opted for a classically structured novel that opens with the discovery of a young male murder victim. In the next chapter Mecero describes the male chauvinist atmosphere that reigns at the Homicide Squad and then introduces the out-of-the-ordinary police officer assigned to the crime investigation. From that point onwards, the murder suspects file through the novel. 
The thought-provoking theme of the book is illustrated by the other characters, an author of medieval novels, a fan of heraldry and genealogy, a professor of History and aspiring candidate for a place at the Academy (who has to vie with a woman for it), a lawyer who batters his wife, a group of neo-Nazis… all male characters who one way or the other refuse to move with the times.

And in the midst of it all, Sofía Luna tries to find her place as a woman. Her first duty is to solve the crime, but she also has to earn the acceptance of her workmates and above all to hold on to her son’s love.